This is commonly known as Jean Renoir's first American film (1941), although Renoir scholar Alexander Sesonske has established that Renoir's creative role in the project was severely hampered by producer Darryl F. Zanuck and that he didn't regard much of the film as his own. (The ending, for instance, was written by Zanuck and directed by Irving Pichel.) Nevertheless, the film has certain beauties and pleasures. Part of it was shot in Georgia's Okefenokee swamp, and the treatment of the small community living ~Censored~ is often pungent and distinctive.
Ji-yeon and Do-jin are exhausted from years of IVF treatment. They don't remember what life was like before. She continues to experience the pain of separation from a child she has never met. Do-jin is worried about her health and wants her to quit, but she can't. "Why can't I be a mother?" She won't give up.
Aqilla and Yumna, two mothers who both fought for Baskara's love and happiness. Aqilla gave up her biological son, Baskara, to be raised by Arif and Yumna in Solo.
American teacher, Kate, takes a job at a remote Scottish estate, but soon becomes entangled in a dark family mystery involving the previous tutor, a guarded teen, and a tragic death that may not be what it seems. Inspired by true events.
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