Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
In a sleepy coastal village a curse lies waiting. Legend has it one night centuries ago when a smuggler was delivering his illicit wares, the excise men pounced. One of the villagers had betrayed him. The smuggler was caught and quickly hanged as an example but, his widow was more than she seemed, the practitioner of an ancient religion of magic and sorcery. The villagers formed a mob to hunt her down as a witch, they brutalised her, tarred and feathered her, but before they could kill her she put one last curse upon the land; that nothing should flourish, no life or love, before taking her own life and spilling her blood upon the land.
In 1984, a woman with a phantom pregnancy is exiled to a remote Catskills inn where she becomes convinced that she is the target of a mysterious woman in the woods who will stop at nothing to be a mother.
The film follows a haunted film editor and his estranged daughter who accidentally unleash a mythic creature while restoring an unfinished silent horror film.
Set against the backdrop of the violent Memali Incident in 1985, this psychological thriller is about a visiting handyman and his young daughter who experience mysterious visions in a remote village amid the fatal police raid against fundamentalists. The film is produced by Aron Koh’s Lomo Pictures and director Woo’s Greenlight Pictures. Woo’s Stone Turtle premiered in Locarno’...
A group of recent grads head out on a late night drive for grub, hoping to enjoy one final hangout before their paths diverge. Instead, they accidentally turn onto a never-ending, two-lane hellscape surrounded by untold horrors and cosmic forces beyond their understanding. Cramped together inside a Jeep Cherokee and with the miles stretching infinitely ahead, they face a choice: embrace their new existence or fight to escape it.
The film is about an isolated woman who must confront her past when a fellow former cult member reaches out with news that their leader has been released from prison early.
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