Anna is stuck she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to back the f-off. However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
A tapestry of vignettes, centered around a jaded concessions stand worker contemplating his future on his last day at the Royal Alamo Cinema, a closing movie theater.
After moving into a guest house in the Hollywood hills, 18 year old Sandra discovers the main house is occupied by a family of vampires and the area around is a haven for the undead.
The film chronicles the daredevil stuntman Ken Carter's quest to execute a bold stunt of launching a rocket car across the St. Lawrence River from Canada to the United States in the 1970s, facing absurd challenges along the way.
In Saint-Étienne, a semi abandoned canadian village, a young woman unravels the mystery surrounding her father's sudden death. As strange incidents multiply in her surroundings, what she discovers is even more sinister and horrifying than what she could have ever imagined.
“Rosario,” directed by Bobby Bonifacio Jr., draws on a Filipino superstition which dictates that a broken rosary must be placed in the hands of the dead; but when an unbroken rosary is mistakenly left in the hands of a deceased woman, a deadly family curse is unleashed.