81-year-old master, Jean-Marie Straub, once again invents and surprises with his latest film. Kommunisten consists of six parts, five of which have been taken from his earlier works. Straub does not aim to be self-reverential, but instead wants to make different blocks (of text, time, and languages) clash so as to highlight invisible elements of feelings and politics. It is a film about human adventure, from the past century to the one ahead. In this project, all the things that the films of Jean-Marie Straub and Danièle Huillet have been based on for the past fifty years, find their most raw and recent form.
A tapestry of vignettes, centered around a jaded concessions stand worker contemplating his future on his last day at the Royal Alamo Cinema, a closing movie theater.
After moving into a guest house in the Hollywood hills, 18 year old Sandra discovers the main house is occupied by a family of vampires and the area around is a haven for the undead.
The film chronicles the daredevil stuntman Ken Carter's quest to execute a bold stunt of launching a rocket car across the St. Lawrence River from Canada to the United States in the 1970s, facing absurd challenges along the way.
In Saint-Étienne, a semi abandoned canadian village, a young woman unravels the mystery surrounding her father's sudden death. As strange incidents multiply in her surroundings, what she discovers is even more sinister and horrifying than what she could have ever imagined.
“Rosario,” directed by Bobby Bonifacio Jr., draws on a Filipino superstition which dictates that a broken rosary must be placed in the hands of the dead; but when an unbroken rosary is mistakenly left in the hands of a deceased woman, a deadly family curse is unleashed.