Walter Williams (Brian Donlevy) is a take-charge captain of industry who has worked his way up in a San Francisco steel company from a position as a sheet metal worker. He loves his wife Irene (Helen Walker) very much and they have planned a vacation drive together. Irene cancels at the last minute claiming a toothache, but asks that Walter drive her cousin Jim Torrance (Tony Barrett) as far as Illinois. Walter agrees and he and Jim take off together but later Jim knocks Walter unconscious and takes the car only to be hit himself by a truck and killed, his body burned beyond recognition. Walter comes to and suffering a concussion and deep confusion from feeling betrayed by Irene hides out in a small Midwest town until guilt and peer pressure force him to go back to San Francisco and tell his story to the Police. But by the time Walter returns to San Francisco a clever detective Lieutenant Quincy (Charles Coburn) has uncovered some facts about Irene and her cousin' Jim. The police have been holding Irene for the murder of her husband Walter but release her considering that Walter was hiding out because he had killed Jim. Along the way to uncovering the truth in Court Walter realizes some hard fact about what he holds valuable and the trust he has put in those around him.
A tapestry of vignettes, centered around a jaded concessions stand worker contemplating his future on his last day at the Royal Alamo Cinema, a closing movie theater.
After moving into a guest house in the Hollywood hills, 18 year old Sandra discovers the main house is occupied by a family of vampires and the area around is a haven for the undead.
The film chronicles the daredevil stuntman Ken Carter's quest to execute a bold stunt of launching a rocket car across the St. Lawrence River from Canada to the United States in the 1970s, facing absurd challenges along the way.
In Saint-Étienne, a semi abandoned canadian village, a young woman unravels the mystery surrounding her father's sudden death. As strange incidents multiply in her surroundings, what she discovers is even more sinister and horrifying than what she could have ever imagined.
“Rosario,” directed by Bobby Bonifacio Jr., draws on a Filipino superstition which dictates that a broken rosary must be placed in the hands of the dead; but when an unbroken rosary is mistakenly left in the hands of a deceased woman, a deadly family curse is unleashed.