Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
Aisyah (Rebecca Klopper), mahasiswi Indonesia di Singapura yang penuh impian namun menutup pintu hatinya karena luka masa kecil, tanpa sengaja dipertemukan takdir dengan Liam (Kiesha Alvaro), seorang senior yang hangat, misterius, dan menyimpan duka yang tak terucapkan. Pertemuan mereka di Negeri Singa perlahan menumbuhkan harapan, seolah dua jiwa yang saling mengenali dalam su...
The story revolves around Pierre who is 13 years old when he loses his mother. He’s a shy boy who lives only for his passion: skateboarding. Thirty-something Bertrand is a seasonal worker on Pierre’s father’s farm. Part dandy, part punk, he stands out in this remote rural location and gets high as if trying to escape from his past. One day, Pierre is challenged by a gang of ska...
1914年，第一次世界大战爆发，1917年，法、国，意和其他欧洲国家相续结成联盟，决心一并抗击德国。很多胸怀远大志向的热血青年志愿加入了这场空前绝后的欧洲大陆的战争，并且希望通过自己的微薄努力结束战争，让大家重新过上安详平静的生活。 失去家族牧场的布雷恩（詹姆斯·弗兰科 James Franco 饰）、为了光复家族荣耀的威廉，想穿越大西洋旅行的布里格斯，因种族原因被逐出美国的黑人拳击手等三十八个年轻人为了一个共同的目标加入了海外作战空军部队。他们在在法国将军赛诺特（让·雷诺 Jean Reno 饰）和美国士兵瑞德·卡西迪（马丁·亨德森 Martin Henderson 饰）的辅助和领导下，每个人都真正了解到为荣誉和和平而战的意义，所有人组成了“拉斐特飞行小队”。可战争的残酷和现实大大超过了这群热血青年的想象，死亡每天都在靠近，危险处处不在......
Caleb is a metalhead loner who becomes obsessed with his new coworker, Krista. Determined to make a film about his newfound “object of beauty,” he begins invading every aspect of Krista’s life. As his infatuation escalates from inappropriate to criminal, we are left questioning who is really watching whom.
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