Grand Theft Auto VI: An Extended Look will premiere on Netflix Thursday, August 27 at 3 p.m. ET and will also launch on the official Rockstar Games YouTube channel and the Grand Theft Auto VI site at 9 p.m. ET on August 27.
A sweltering beach house party in 1986 turns savage when a spiked cupcake, a jealous cousin, and a gang of violent men crash the scene. Penny Lane is Dead is a punk-fuelled, blood-soaked survival thriller laced with dark comedy and gendered rage.
Harry is a somewhat uptight chef who has just had his heart broken at the altar, so he lets his best friend Yaiza convince him to spend a vacation in her homeland, Gran Canaria. There, Harry falls in love with the island, its people, its beaches, and its food... but what he didn't expect was to fall in love with Iván, his friend's father.
In Javanese culture, Sengkolo is a negative entity that often haunts humans, brings bad luck and brings disaster. On the first night of Suro, Sengkolo moved to target several weton who were his prey.
Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement. Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind. Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.
The script centres on Marianne, the wife of a wealthy industrialist, envied and admired, model spouse and devoted housewife. She’s about to turn 40 and the comfort of the large family home has slowly closed its merciless trap on her. The prisoner of an inextricable network of social, family and marital obligations, accomplice of her own erasure, she has denied herself, without ...
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