1927年，为纪念十月革命十周年而拍摄的纪录风格影片，片中群众角色很多为当时参与十月革命的工人和士兵，当时起义的领导之一Nikolai Podvolsky也参与演出一名布尔什维克（此公是十月革命十周年庆典组委会的主席，正是他向爱森斯坦委约了这部影片）。脚本参考了美国记者里德（John Reed）的新闻体纪实著作《震撼世界的十天》（Ten Days That Shook the World）。此片和《战舰波将金》、《罢工》一样，同为爱森斯坦二十年代探索蒙太奇剪辑的代表作。
通常上映的版本配乐，采用了苏联作曲家肖斯塔科维奇的交响作品和小品。
Eine junge Rennwagen-Mechanikerin täuscht eine Verlobung mit dem skandalträchtigsten Racing-Star der Szene vor – offiziell für seinen Ruf, insgeheim für ihre eigene Chance am Steuer. Doch bald droht die Lüge alles zu zerstören, auch das, was längst mehr ist als nur ein Spiel...
A tapestry of vignettes, centered around a jaded concessions stand worker contemplating his future on his last day at the Royal Alamo Cinema, a closing movie theater.
After moving into a guest house in the Hollywood hills, 18 year old Sandra discovers the main house is occupied by a family of vampires and the area around is a haven for the undead.
The film chronicles the daredevil stuntman Ken Carter's quest to execute a bold stunt of launching a rocket car across the St. Lawrence River from Canada to the United States in the 1970s, facing absurd challenges along the way.
In Saint-Étienne, a semi abandoned canadian village, a young woman unravels the mystery surrounding her father's sudden death. As strange incidents multiply in her surroundings, what she discovers is even more sinister and horrifying than what she could have ever imagined.
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