The day Kelly-Anne has been waiting for has arrived. The trial begins for Ludovic Chevalier, accused of the brutal murder of three underage girls. Unlike most people, Kelly-Anne is fascinated by the man, she becomes obsessed with him and attends every single court hearing in the hope he’ll give her at least a fleeting glance. The border between reality and fantasy starts to blur, however, until Kelly-Anne ceases to be a mere passive observer. Pascal Plante once again expresses an interest in female subjectivity, nevertheless, this time he has come up with an arthouse thriller about the perilous attraction of evil. At the same time, the interplay between what we can and can’t see, and what is explicit and what is conjecture, develops into an almost physical viewing experience.
源自：
https://www.kviff.com/en/programme/film/63/40082-red-room
In Javanese culture, Sengkolo is a negative entity that often haunts humans, brings bad luck and brings disaster. On the first night of Suro, Sengkolo moved to target several weton who were his prey.
Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement. Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind. Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.
The script centres on Marianne, the wife of a wealthy industrialist, envied and admired, model spouse and devoted housewife. She’s about to turn 40 and the comfort of the large family home has slowly closed its merciless trap on her. The prisoner of an inextricable network of social, family and marital obligations, accomplice of her own erasure, she has denied herself, without ...
A young American woman with health challenges finds unexpected romance with a charismatic local during her summer in Majorca, forcing her to weigh her heart's desires against family obligations and her planned return home.
A young American woman with health challenges finds unexpected romance with a charismatic local during her summer in Majorca, forcing her to weigh her heart's desires against family obligations and her planned return home.
When a covert rescue mission goes wrong, four former Navy SEALs are captured and thrown into an underground death match. Watched by depraved billionaires, they are forced to fight in a brutal tournament. With no weapons and no way out, the team must rely on their training and unbreakable bond to survive the bloody arena, dismantle the entire operation and reclaim their freedom.
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